The Photographic Angle Blog - Oct 2011

! Matt Daw, projects manager at PhotoVoice speaks to the capital about the 'LookOut London'
Friday 28th OCT 10am BBC Radio London (94.9) !

Representing young people only as part of these social problems damages any attempts to improve the situation on the streets. The implication is that young people are only important or worth talking about when they are engaged in criminal activity, and the pressures and dangers they face themselves are not discussed or dealt with. The issues are to do with poverty, lack of opportunity and boredom, not age, and young people should be engaged in identifying and building solutions rather than being ignored until involved in criminal or anti-social behaviour, and then being stamped on by the legal system.'

-PhotoVoice 2011

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© Craig Taylor 2011

GILLIAN KALISKY

Gillian Kalisky is an MFA (Master of Fine Art) student at Newport University. Kalisky has been awarded the 2011-2012 TPA student bursary to assist her with her documentary photography project 'I Could Go On Forever Listing The Things I Love'. The work engages with the memories and familial relationships of growing up in California's Central Valley. Kalisky plans to develop the photographic work into a fine art book at the end of the year. She has previously participated in exhibitions at the Brighton Photo Biennial Fringe, Village Underground London and is part of an outdoor exhibition called a_social_landscape at the Hereford Photography Festival on the 28^th of October. TPA's founder Bryony Purvis caught up with Kalisky to find out more about her photography.

TPA: Where did your interest in photography begin?

GK: In a way I have always been interested in photography. I got my first camera around age 8. It was one of those rectangular 110 ones and I used it to shoot pictures of my feet mostly (which is a weird habit I never quite got over). I didn't get serious about photography until university though. I went to NYU and I took a basic black & white course while studying abroad in Florence. I fell in love with the magic of the darkroom, which I think is what hooks a lot of people at first.

TPA: Tell us a little about your current work?

GK: So my current work is essentially my love letter to the part of California I grew up in - the Central Valley. It's this beautiful and odd part of that state that isn't very well known, although it's huge in area. The project is as much about process as it is about the final images for me. I have lived in England now for 5 years, and before that I was in New York and Paris so there is this big element of nostalgia. To make the work I am travelling back home several times a year and before I go I make these lists of memories and feelings that I want to capture. It has that taxonomical element to it. Like an encyclopaedia of my childhood- or how I am able to see it now that I have had years of distance from it.

TPA: Which photographers do you look to for inspiration, and what is it about their work that moves you?

GK: Oh this could be a very long list. I absolutely love Walker Evans and I have a big idea in the works that is an homage to Let Us Now Praise Famous Men. I can't think of any period of time in photography that is more historically significant and relevant now than the FSA. Then there are the great American road photographers- Frank, Shore, Sternfeld. William Eggleston is huge. I hope you can see a lot of all of those in my work. I'm always trying to find those special little windows of the fascinating inside the seemingly mundane. Hockney. Alec Soth is my favourite contemporary photographer. And I'm really inspired by painters too. I love Richter. I actually wish I was a photorealistic painter, but I don't have the skill. I love Hopper. The working title of my project is "I could go on forever listing things I love" and it's really true.